Marina Abramović: 512 Hours (2014) A Year in Normandie which he has been making

which he has been making since the 1960s and has presented in various public spaces

conceptualised by artist Gabriel Massan

head of the photographic collection at Musée du quai Branly – Jacques Chirac

Lidén has produced a print based on the view from a video recorder that she held on her shoulder as she rode a bicycle into the River Seine in Paris

Since the beginning

Marina Abramović: 512 Hours (2014) A Year in Normandie which he has been makingMarina Abramovi 512 Hours (2014), 2021 C print on hahnemuhle museum etching paper 55. 88 x 55. 88 cm 100 + 10 AP Hand signed and numbered by the artist 416. 66 + VAT 512 Hours (2014) is taken from Abramovis seminal exhibition with Serpentine Gallery in 2014. This work serves as an artefact, a testimony of the intangible experiences of those who participated, and the atmosphere of this performance that endured several weeks. This was the first major