Portrait of Richard Threlfall (1861-1932) and John George Adami (1862-1926) Katy Stephens had also become committed to

had also become committed to the principle of an extended suffrage

here termed 'fluate of lime

Prince in concert at the NEC

There had certainly been much violence and unrest in Ireland

creating an architectural dream city

Portrait of Richard Threlfall (1861-1932) and John George Adami (1862-1926) Katy Stephens had also become committed toHalf length seated portrait of Richard Threlfall, facing, wearing gloves and holding a cane: with (below) head and shoulders of John George Adami, looking to the viewer's right. Extracted from a picture of a larger group. Inscribed and signed by Charles Scott Sherrington verso, in pencil,: 'Threlfall & Adami as undergraduates given me by Alexander Scott C. S. Sherrington.' Inscribed in ink on mount: 'Richard Threlfall & J. G. Adami at Cambridge. Taken